Bio

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Giuseppe Bergamino is an electronic musician specializing in multimodal artworks and research in human-computer interaction, digital lutherie, generative art, and sound design. He focuses on multimodal interactive installations as his primary expressive medium, aiming to foster a deeper and more intimate connection between users and art through active sensory engagement. His work emphasizes inclusivity and accessibility, striving to break down barriers to artistic and musical expression through adaptive technologies and alternative creative paradigms.

He holds a Master’s degree in Electronic Music & Sound Design (Conservatory of Music Domenico Cimarosa, Avellino, Italy), where he presented a thesis on Acoustic Augmented Reality in interactive art installations, and a Master’s degree in Technologies for Music Education (Conservatory of Music Luca Marenzio, Brescia, Italy), with a thesis on the development of adaptive digital musical instruments for children with disabilities. In November 2024, he began his PhD studies in the Department of Information Engineering at the Polytechnic University of Marche.

Giuseppe’s artistic installations have been featured in numerous international exhibitions and festivals, including: Nullker Art (Arakapas Forest, Arakapas, Cyprus, 2024), Biennale di Sondrio (Palazzo Muzzi, Sondrio, Italy, 2024), As Islands (Castel Belasi, Trento, Italy, 2024), Transforming Literary Places (Tartu, Estonia, 2024), The Magnificent Four (Costa Vicentina, Portugal, 2024), ControCANTO (Polo del 900, Turin, Italy, 2023), Futuro Remoto Festival (City of Science of Naples, Italy, 2022), From Silence Festival (Accademia Chigiana, Siena, Italy, 2022), Notte dei Musei (Avellino, Italy, 2022), Riscarti Festival (Rome, Italy, 2021), MA/IN - Matera Intermedia Festival (Matera, Italy, 2019), Lake Como Waves (Cernobbio, Italy, 2019), Armenia Meets Europe - Emozioni in Mostra (Naples, Italy, 2019).

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